The Oxford English Dictionary defines verisimilitude as "the appearance of being true or real; likeness or resemblance to truth."
truth is defined as "the quality of being true."
true is defined as "consistent with fact; agreeing with the reality; representing the thing as it is."
So we have the ideas of factual and appearing to be factual.
I am currently reading Louis de Bernieres' novel Birds Without Wings. It's a collection of intertwining tales that span the first twenty or so years of the 20th century. Most of it appears to be set in the Ottoman Empire, in present-day Turkey. The author has done a lot of work to create a rich world for his reader, and I've been told about foods, and clothing (and clothing and clothing) and language and religion and ethnicity and on almost every page there is some sort of detail about the time and place, all to establish the richness (and otherness and particularity) of the world of the story.
How much of what de Bernieres presents to me is factual? I have no idea. How much of what he writes has been simplified, conflated, misunderstood by the author or just plain made up to suit the needs of the story? I have no idea. I assume that some of the details of the story world are as true as de Bernieres could make them, and that some of the details of the story world are entirely fictional because, you know, de Bernieres after all writes fiction and has an active imagination. When the author tells us what Mustafa Kemal Atatürk is thinking as a young army officer in Smyrna, we must assume that de Bernieres has imagined those thoughts for our benefit. And we accept, while immersed in the reading, that Mustafa Kemal Atatürk thinks those things as long as they feel true in the context of the story and when compared to our experience of being alive and having known other human beings. In other words, de Bernieres' obvious bits of fiction are perfectly acceptable as long as he doesn't disturb the novel's verisimilitude.
I am of the opinion that verisimilitude is far more important than truth in a work of fiction. First, it's harder to establish. Second, despite statements by some fans of "historical" fiction or other genres, most readers don't come to fiction in order to find out facts. There are truths to be discovered in fiction, but the most important of those truths have nothing to do with places and dates and history; the most important thruths in fiction have to do with the existential question, and those truths cannot be revealed by any number of historical or scientific facts.
Tuesday, April 26, 2011
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11 comments:
I opt for truthiness. It's more personal.
I like toothiness. It's more toothsome.
How often have you read a post that says essentially the same thing as this one? Too often. But my poor blog seemed lonely so I had to give it something to do. Alas, poor blog. It was either this or the old "working on the next big section of the WIP today, yay, looks good so far etc" post. Writing blogs are totally lame.
I once wrote a short story about a daughter learning to cook from her mother. In it, I described all sort of dishes that I made up based very loosely on Asian food. It was close enough to the real thing that people thought they were real. But, during a class critique, when I told my fellow students that I made the dishes up, they said it was misleading. The characters could be fictional. The story could be fictional. But, for them, the food had to be real. That had never occurred to me before. I think they saw the story as a vehicle for carrying the subject matter of food, in a way.
If you'd never told them about making up the food, it would still be "real" for them. Their reaction was more than a bit silly. Why do people care so much about props? I think it's because they don't realize that so many of their favorite stories are full of made up things that they've never questioned. What are the bad things that will happen to you if you read fiction that contains stuff that's made up? Nothing.
"Misleading?" That's just hysterical. Fiction is a form of manipulation, right from the first word.
"Lie to me, and make it good," the reader says, and then when you're done he complains that you've tricked him.
I think it's important for the story to feel real, as you say, and that's why I got upset at some things a reader said were wrong about Cinders - some of the "historical date that was inaccurate."
Are you kidding me? I wrote a fictional story, not a historical fact sheet.
Yeah.
Omigod, you wrote a fantasy story. What "historical data" are they talking about? See? Some people's kids, etc.
Sorry about my typo there. Yes, I know. Fantasy. What goes, goes. You know?
I get my recipes solely from novels, and now you've gone and revealed it wasn't real food at all? What am I going to cook from now on?
Seriously, though many people do get their "history" and "science" from completely eronous fiction, and never question it. I had a conversation with a guy once who was convinced that the US embassy in Yemen had been attacked. I realized, after trying to set him straight, that the events he was describing were from a movie. In his mind, the movie and CNN had seamlessly merged.
Tara Maya, that is funny and really scary at the same time.
Everything I know about French history I got from "The Three Musketeers" and "The Four Musketeers." They had nice hats and big flouncy dresses. That's France for you. Oh, and they all spoke English. I don't know when that changed. It must've been after WWI, because in "Paths of Glory," they're still speaking English.
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