The river, the women's dresses, the sails of the boats, the innumerable reflexions of one thing and another came crowding into this little square panel of beauty which Elstir had cut out of a marvellous afternoon. What delighted one in the dress of a woman who had stopped for a moment in the dance because it was hot and she was out of breath was irresistible also in the same way in the canvas of a motionless sail, in the water of the little harbour, in the wooden bridge, in the leaves of the trees and in the sky. As in one of the pictures that I had seen at Balbec, the hospital, as beautiful beneath its sky of lapis lazuli as the cathedral itself, seemed (more bold than Elstir the theorician, then Elstir the man of taste, the lover of things mediaeval) to be intoning: "There is no such thing as gothic, there is no such thing as a masterpiece; this tasteless hospital is just as good as the glorious porch," so I now heard: "The slightly vulgar lady at whom a man of discernment would refrain from glancing as he passed her by, would except from the poetical composition which nature has set before him-—her dress is receiving the same light as the sail of that boat, and there are no degrees of value and beauty; the commonplace dress and the sail, beautiful in itself, are two mirrors reflecting the same gleam; the value is all in the painter's eye." This eye had had the skill to arrest for all time the motion of the hours at this luminous instant, when the lady had felt hot and had stopped dancing, when the tree was fringed with a belt of shadow, when the sails seemed to be slipping over a golden glaze. But just because the depicted moment pressed on one with so much force, this so permanent canvas gave one the most fleeting impression, one felt that the lady would presently move out of it, the boats drift away, the night draw on, that pleasure comes to an end, that life passes and that the moments illuminated by the convergence, at once, of so many lights do not recur.from Le Côté de Guermantes by Marcel Proust, Translated from the French by C. K. Scott Moncrieff
I read this and I thought about the abstract landscapes of Turner and I thought, yes, that's it, the world does in fact look like a Turner even at his most abstract, if you think about it the right way; the vision of the artist is the value of an artwork, yes, which is what places art outside of history and separates the true value of art from it's price at auction. All of which made me think that I could buy an easel and some paints and some canvas and set up as a painter again. Which I won't do, but I had that happy thought for a minute or less.